Giorgio Pagliari

Walls of light built from cardboard, lime and ash.

Painter. Rome 1933 – Ibiza 2015.

Scroll and the light will move across the work

“I paint the moments between the waves, the memory of salt and the relief of light upon matter.”

For more than fifty years, in Ibiza, Giorgio Pagliari raised surfaces that are not simply looked at: they are travelled by light.

On screen: Strata of Umbria, 106 × 145 cm

A life facing the same sea

From Rome to Paris, from Paris to an island. In 1960 Pagliari arrived in Ibiza and never left.

1933

Roma

Born in Rome.

1950

Roma · París

Trains between Rome and Paris in the fifties, while European abstraction searches for a new language.

1960

Ibiza

After reaching Spain in 1959 he settles in Ibiza for good, within the community of resident artists that made the island a centre of the avant-garde.

1961

Dalt Vila

First solo show at the historic Ivan Spence gallery. Through the sixties he shows regularly at Carl van der Voort and El Corsario.

1965

Barcelona · Madrid

Exhibits at René Metrás and Juana Mordó. With the Ibiza 65 group his work travels to cities in Europe and the United States.

1977

MACE

Takes part in “Seven Paths of Abstraction” at the Museu d’Art Contemporani d’Eivissa, alongside six other island artists.

1987

The great reliefs

From the late eighties to 2009 the works in this archive are born: flaps, strata and joints that turn the canvas into a wall.

X-ray of Lime Tidal Diagonal Lime Seams

1994

The return

After years away from the spotlight he exhibits again: Sa Nostra (1994), “Abstraccions” in Palma (1996) and “Organic Triptychs” at Libro Azul (1999).

2015

Eivissa

Dies in Ibiza. A year later, Can Botino dedicates the exhibition “In Memoriam” to him.

Giorgio Pagliari standing with his arms crossed, in his later years
Giorgio Pagliari in his later years.

2022

Garden Art Gallery

Retrospective in 2018 and a new exhibition in 2022.

Today

An open archive

The MACE holds work by him. His family looks after some 200 pieces and is now opening the archive to architecture, interiors and design.

Five gestures, one surface

He did not paint on the canvas: he built it. Cardboard, paper, pigment and mineral dust, layer upon layer.

  1. 1

    Cut

    Cardboard and paper are cut into bands and modules. The size of each piece sets the rhythm of the work.

  2. 2

    Fold

    Each band is folded into a flap. The fold is what will later catch the shadow.

  3. 3

    Adhere

    The pieces are fixed to the canvas one by one, overlapping like roof tiles or strata.

  4. 4

    Glaze

    Acrylic and oil in thin glazes: lime whites, greys, earth ochres.

  5. 5

    Dust

    Mineral dust on wet paint. The surface gains grain, weight and a memory of sand.

Walk through the archive

Every work hangs at its real size, at eye level. Archive in progress: 46 works photographed out of some 200.

View as list

A palette that already speaks the language of architecture

Lime, sand, ash and shadow. Each sample is a real close-up detail of a work in the archive: the very tones and textures architects and interior designers look for today.

Tap a sample to see the full work.

The work, in its place

Six spaces, six ways of living with Pagliari. The scenes are AI-generated and each work was then placed at its real dimensions.

AI-generated scene · real work to scale

Beyond the canvas

Pagliari’s relief is a system: module, fold, rhythm and matter. A language that can move from the canvas to the wall, the object and the light.

Exploratory concepts generated with AI. They are not existing products: they are a starting point for collaborations and editions.

Let’s build the next wall

The archive works directly with the people who design spaces. Tell us about your project and we will send you a selection of works with dimensions, images and availability.

Write to us

We will only use your details to reply to this enquiry. Privacy

Giorgio Pagliari Archive · Suska Pagliari

info@pagliari-art.es +34 620 987 288 WhatsApp Ibiza, Illes Balears

Some two hundred works are waiting for their wall.