Blue Horizon

Curatorial text

Before us, two adjacent panels raise an architecture of horizontal strips that repeats with a deliberately human regularity. Each band functions as a flap: it advances, yields, barely undulates, and lets its darker edge show through as a continuous line of shadow. At the centre of each half, small vertical insertions appear at intervals, like a discreet seam that holds the system together without imposing itself.

The palette remains within off-whites, warm greys and very pale ochres, modulated by a fine speckling that runs across the surface. This stippling, mineral in character, densifies the field and makes it porous, so that the light is not reflected in a flat manner, but fragments into hundreds of small vibrations. The black joints, thin and persistent, delineate the stacking and lend a restrained графия.

At the top, a taut blue line, close to the edge, cools and orders: it functions as a cornice and as a horizon. Seen in profile, the work confirms its object-like condition: the relief projects with a measured depth, so that the lighting settles on the crests and withdraws into the grooves, activating a slow rhythm between wall, shutter and swell.